|
Draft Paper
Gendered representations of HIV/AIDS and the
reproduction of hegemonic discourses on femininity in media
images
Submitted to INTERNATIONAL WORKSHOP ON GENDER AND VISUALITY
(WITH
SPECIAL EMPHASIS ON THE SOUTH)
Tamara Shefer
Women's and Gender Studies, University of
the Western Cape
September 2004
http://www.uwc.ac.za/arts/gendervisuality/TamaraShefer.doc
Introduction
The last decade and a half has seen much
international and local South African research and interventions
in the realm of gender and sexuality, some of them stimulated by
the imperatives of the HIV pandemic. In particular, there has
been much work (both academic and popular) that has highlighted
the way in which women are particularly vulnerable to HIV
infection and the role that male dominance and hegemonic
masculinity and femininity play in unsafe and abusive sexual
practices. Contemporary research has further highlighted the
widespread nature of gender violence and the way in which this
intersects with dominant practices of heterosex and the dynamics
of HIV/AIDS.
In the South African context, the media has
tended to seize on the most sensational moments of this focus
and often reproduced (albeit inadvertently), as the academic
literature itself has, problematic representations of women. The
following paper draws on visual representations of HIV/AIDS and
violence against women, over 5 months of the Mail and Guardian,
a progressive weekly newspaper in South Africa, as a snapshot of
how HIV/AIDS is currently represented, particularly with respect
to women and gender relations. The pictures utilised in this
presentation aim to demonstrate the way in which popular
representations not only reproduce traditional constructions of
women as passive, helpless victims in the realm of HIV, violence
and sexual relations, but also highlight the way in which women
are inadvertently stigmatised and blamed for the epidemic.
Furthermore, the images illustrate the continued processes of 'othering'
which also reflects racist and classist discourses in the
construction of HIV/AIDS.
Gendered responses to the HIV/AIDS
pandemic
There is no doubt that the HIV/AIDS
pandemic, disastrous as it is, has opened up certain windows of
opportunity for those seeking to challenge gender inequality.
The foregrounding and problematising of normative practices of
heterosex and the focus on power relations between men and women
in negotiating heterosex has allowed for much critical work to
emerge. Moreover, it has become commonplace for those working at
a practical level of education and care, to acknowledge the
centrality of gender relations in both prevention of the spread
of the virus as well as in mitigating the impact of the virus on
communities.
On the other hand, there is also little
doubt that the massive focus on the virus has served to not only
reflect, but also actively in some cases reproduce, many areas
of inequality and discrimination in international and local
contexts. One key example of this is the way in which both the
popular and the academic, research-based literature has focused
on women and their role in the spread of the virus. While
initial sexist practices were quickly challenged, such as the
different messages given to men and women (see the inserted
advert for example), it has equally been evident that the
predominant focus has been on women, arguably inadvertently
facilitating a 'blaming' discourse in which women become viewed
as both responsible for the spread (because it is assumed they
are responsible for halting it). Inadvertently, the focus on
women, both in the academic literature and the educational
programmes, served to reproduce a picture of the illness as a
woman's illness, and therefore 'women's fault'.
Similar, but slightly
more insidious processes that reproduce the status quo of gender
are also evident in the way in which both academic and popular
literature have theorised women's vulnerability to HIV/AIDS.
Given the high rate of infection of HIV in sub-Saharan Africa
and the fact that heterosexual relations are the primary mode of
infection in these countries, research on (hetero)sexuality and
women's vulnerability has accelerated over the last decade in
South Africa (Shefer, 2003). As a consequence we now know quite
a lot about the gender power inequalities that manifest in
heterosexual relationships in local South African contexts. This
has obviously been incredibly helpful at multiple levels in
addressing both HIV and women's inequality.
The proliferation of
research and the educational emphasis on heterosexual
relationships and women's vulnerability is extremely important.
On the other hand, there are also problems and potential
concerns with the way in which women have been constructed in
these research agendas. It is arguable that while it is
important to highlight women's lack of negotiation in heterosex,
the dominant picture of women emerging is that of an
inevitable and passive (almost 'asking for it') victim of male
power. Nobody would argue against the significance of
acknowledging women's lack of power in heterosex, but it is also
a concern that that we appear to be inadvertently reproducing
the dominant stereotype of women's passivity.
Contemporary feminist writers have begun challenging the way in
which feminist theories on heterosexuality have historically
constructed power as the inherent preserve of (all) men, and
women as inevitably disempowered victims of male power (Hollway,
1995; Jackson, 1996; Smart, 1996). Smart for example (1996)
speaks of a conflation of the penis with the phallus, in which
she maintains all power is seen as male, and all males are seen
as having access to power. She argues that both of these are
problematic assumptions, given a post-modern understanding of
the multiple, contextual and fluid nature of power. In this way,
while most feminists distance themselves from biological
determinism, she argues that power and gender are inadvertently
essentialised, globalised and decontextualised.
What is probably most
problematic about the continued emphasis on women's
vulnerability, passivity and powerlessness, is that this
emphasis serves to silence the many times that women do
resist male power and do challenge men. Furthermore, the
stereotyped image of women is ultimately reproduced, with no
space given to alternative images and discourses of women as
strong, assertive and powerful agents. Importantly, as
mentioned, the predominant picture of woman remains one of
asexual victim of male desires, and women's own sexual desires
and a positive female sexuality is seldom represented in the
literature.
The flipside of women being constructed as inevitable victims,
is the reproduction of the stereotype of men as inevitably
powerful and controlling in relation to women in heterosexual
relationships. While some authors have pointed out the salience
of the 'male sexual drive' discourse in talk on heterosex, the
literature itself appears to reproduce this stereotype. Clearly
there is a silence around alternative ways of being men. There
is no literature which highlights men's resistance to
traditional masculinity, or speaks of men's vulnerability to
women and their difficulties with hegemonic masculinity. In some
research, fragments of male vulnerability and the pressure on
men to conform to hegemonic masculinity, are beginning to emerge
(see for example, Shefer & Ruiters, 1998). Nonetheless, there is
still little work that gives a voice to the different ways of
being men, and offers alternative and more equitable versions of
maleness in heterosexual relationships. Moreover, there has been
little work that explores in a more complex and critical way the
role masculinity plays in the spread of HIV, other than to
present a unidimensional, homogenous picture of men as
controlling and dominant in heterosexual negotiations. While a
focus on masculinities is emerging strongly in the current South
African context, and partly in response to the concerns raised
here, it may be argued that popular representations of HIV/AIDS
continue to position women as central to and responsible for the
illness as illustrated further in what follows.
Stigmatising discourses and images of
HIV/AIDS
AIDS has become
the symbolic bearer of a host of meanings about our contemporary
culture: about its social composition, its racial boundaries,
its attitudes to social marginality; and above all, its moral
configurations and its sexual mores. A number of different
histories intersect in and are condensed by AIDS discourse
(Weeks, 1989, p. 2).
Many authors over the decades have
highlighted the way in which certain illnesses have served
particular roles as representation of certain social markers,
generally tending to reinforce problematic images and
stigmatisation of particular groups of people, usually those
subordinated or marginalised in a culture. Susan Sontag's (1977)
ground-breaking work 'Illness as Metaphor' set the tone for an
understanding of the way in which illnesses are socially
constructed and play particular roles in social systems.
Foucault (1973) had suggested that for every age there is an
illness that reflects the conditions of that time, that serves
to capture some of the broader social issues and concerns, and
play a political role in constructing dominant meanings of the
time. A range of authors have spent much time deconstructing the
ways in which HIV has been socially represented and the
problematic, stigmatising. 'othering' effects of such
representations (see for example, Plummer, 1988; Aggleton, Hart
& Davies, 1989; Patton, 1990; Seidel, 1993; Kopelman, 2002). In
particular, it has become clear that AIDS powerfully reflects
dominant aspects of norms and constraints with respect to
sexuality. Plummer (1988) describes two central discourses
operating in the construction of AIDS, one that is overtly
medical and scientific, and one that is characterised by social
and moral meanings. The medicalising discourse is overlaid by
pathologising notions of AIDS as representing disease, plague
and death. Central also are military metaphors, with the virus
constructed in terms of invasion and battle (cf. Brandt, 1988;
Sontag, 1988). The second central means of stigmatising HIV/AIDS
relies on other more social discourses, historically familiar
within the construction of STDs, which centre around 'moralistic
and punitive social constructions of sexuality' (Ratele & Shefer,
2002, p.186). As with syphilis, AIDS has been seen 'othered' as
the preserve of sexually deviant individuals, and powerfully
associated with sexual excess and moral deviant behaviours and
lifestyles.
In the early days of HIV, we saw the way in
social representations served to reflect and legitimise the
homophobia of the western world, constructed by many in
moralistic and religious terms as 'punishment' for deviant
sexual and social practices (Aggleton and Homans, 1988; Weeks,
1988; Crewe, 1992). Besides for gay men, HIV stigma was grafted
over a range of other stigmatised identities, in particular IV
drug users and sexworkers (Gilman, 1988; Holland et al.,
1990). The very use of the term 'risk groups' which became
widely used in the HIV/AIDS context as a way of highlighting
those most vulnerable to infection, merely served to reinforce
existing stereotypes and stigmatisation of existing marginal
groups in societies and 'resulted in their further harassment,
control and medicalisation' (Seidel, 1993, p. 176). While there
is now widespread, criticism of the notion of 'risk group' and a
move to talking about 'risk behaviours', arguably this has taken
longer to shift in the South and to shift the existing
constructions of those living with HIV/AIDS.
When it became evident that the incredibly
high rate of spread of infection in Sub-saharan and the rest of
Africa was predominantly through heterosexual relations, a range
of other problematic discourses in this particular context began
emerging. A number of authors have begun since the early 1990s
to identify some of the key discourses emerging in Sub-saharan
Africa, opening the way for understandings of how HIV/AIDS
serves as vehicle for a reproducing power and normative
practices with respect to sexuality and gender performance
(Seidel, 1992; Strebel, 1993). One of the strongest discourses
emerging is probably that of 'African AIDS', the way in which
the focus on Africa has allowed the rest of the world to
distance themselves from HIV/AIDS by seeing it as an 'African
disease' (Patton, 1992; Jungar & Oinas, 2004). It has been
argued that linked to this construction are racist
representations of 'African sexuality' as uncontrollable and
promiscuous (Jungar & Oinas, 2004).
Drawing on a Foucaultian discursive
framework, Seidel, following Plummer (1988), has highlighted the
salience of the medical discourse in sub-Saharan Africa, which
has shaped the responses to HIV/AIDS in a way in which the
person living with HIV/AIDS (PLWHA) is notably absent. This
dehumanising effect of the construction of HIV/AIDS as primarily
a disease has meant that many of the social dimensions of the
virus and its progression have been masked. Linked to the
medical discourse has been the salient medico-moral discourse
which centres around the representation of AIDS as 'Gods
punishment' and the calling on christian chastity as a way to
prevent further infection. While some of the churches in
sub-Saharan Africa initially challenged the promotion of condoms
for this reason, it seems that there is now more acceptance of
the necessity of promoting them, whether or not they adhere to
chrisitian values. At the same time, the continued use of the
ABC strategy (Abstain, be faithful, condomise) reflects some of
these continued conflicts with respect to what messages should
be given to young people and there is still a popular notion
that 'talking too much' with young people about sex may
encourage them to be more sexually active. With respect to women
and gender, Seidel (1993, p. 180) called attention to the way in
which women have been viewed as both 'polluted and polluting' (,
highlighting how language for STDs are in some contexts
translated into 'women's diseases'. She argues that generally it
has been female sexworkers and women in general who are blamed
for sexually transmitted diseases in both the North and South.
It is evident that a number of
social-psychological processes have been central to the way in
which meaning has been constructed of HIV/AIDS. Alcorn (1988)
speaks of the 'individualisation of responsibility' as a key
component of the mainstream response to HIV/AIDS. In South
Africa, it may be argued that that this process has been
particularly directed towards black, poor women who have become
the repository for all negative constructions of the illness.
Linked to this process is the way in which the illness has been
'othered' through processes of objectification and distancing
tactics. Thus HIV/AIDS has not only been seen as the
responsibility of poor, black women but has also been viewed as
something which only happens to poor, black women. In this way,
whites and men succeed in distancing themselves from the
possibility of infection and becoming ill. The dangers of such
constructions for educational efforts are more than evident.
A range of local literature has highlighted
the way in which popular community beliefs and meaning
construction reflect the arguments made about the social
representation of HIV/AIDS. To cite a handful of empirical
examples:
In a national study on STDs, involving a
range of focus groups with members of diverse communities, the
researchers found that 'stigmatising, pathologising and 'othering'
discourses were omnipresent in the ways in which participants
spoke about what it meant to have an STD, with those inflicted
almost inevitably constructed as 'other' and/or deviant in some
of other respect' (Ratele & Shefer, 2002, p. 188). In particular
a strong association of STDs and HIV with sexual promiscuity was
evident. With respect to gender, it was more than evident that
women were punished far more than men for having an STD, and
STDs were constructed as female illnesses with a strong
component of blame. This was particularly evident in the view of
men who saw women as responsible for starting and spreading
STDs, and even constructed women's bodies, particularly their
genitalia, as endemically pathological and prone to infect -
notions of women being like 'compost' were cited. The
pathologisation of women's bodies has been well documented in
feminist literature and is powerfully evident in contemporary
society through a range of discourses acting on the female body
(see for example, Greer, 1992; Northrup, 1995; Wood, 1997).
Empirical local literature has also
illuminated the way in which HIV and STDs are 'othered',
represented as the preserve of black communities, and especially
women. Two recent student works highlight this (Le Clezio, 2003;
Van Wyck,2004). Both studies, carried out with young white South
Africans show how these groups distance HIV/AIDS from their own
experience, constructing it as a 'black illness', impacting only
on what they view as uneducated, black communities and not
therefore a concern for them. In one study the notion that women
passively are infected, while men somehow have a choice when it
comes to being infected, emerged as well (Le Clezio, 2003).
There are of course many studies which focus on the experiences
of those living with HIV/AIDS illustrating the multiple areas of
stigma, including rejection by family members and communities,
and many examples of the experience of both domestic and public
violence following disclosure (for example, Strebel, 1992;
Baleta, 1999; Bollinger, 2002; Jennings et al., 2002; POLICY
Project et al., 2003; and see POLICY Project et al., 2002 for a
literature review). There is currently much emphasis on the
issue of stigma with many NGOs and government departments
developing policy and practices to challenge discriminatory and
prejudicial practices with respect to stigma and HIV/AIDS (for
example, UNAIDS/HDN/SIDA, 2001; POLICY Project et al., 2003,
2004).
Representations of HIV/AIDS in the South
African media
There has been one large recent, relatively
comprehensive study of the role of the media in the current
construction of HIV/AIDS in South Africa (POLICY Project et al.,
2003). A joint project of the POLICY Project, the Centre for the
study of AIDS (University of Pretoria), USAID and the Chief
Directorate: HIV/AIDS and TB, Department of Health, the study
included a three month analysis of select print media,
television programmes with an entertainment focus, and a
community radio station. The findings from the print media, a
total of 603 newspaper articles which mentioned HIV/AIDS, from
24 newspapers, were particularly instructive.
It was found that in the print media,
HIV/AIDS was most often depicted as affecting people who were
poor (31% of articles), black (27%) or living in developing
countries (18%). In terms of sources of information, two out of
three sources of information were male, and only one in three
were female. Similarly those living with HIV/AIDS were not
viewed as particularly instructive in offering insight on
HIV/AIDS, with only one in 12 sources of information citing
PLWHA (8% of articles). Contrary to this, HIV/AIDS was more
likely to be represented in terms of women's experience (69% of
articles) than men's experience (31%), highlighting the
continued construction of the virus as women's responsibility.
The study also found that women are more likely to be portrayed
as victims of sexual assault or as mothers confronting concerns
about infecting their unborn children. In this way, the
construction of women as passive, victims and the sterotype of
women as mothers is reproduced. Interestingly, male PLWHAS who
spoke to the media generally spoke as activists (36% of
articles) or celebrities (18%) while female PLWHAs were given a
voice as mothers (44%) or orphans (25%).
The televison programme analysis similarly
suggested that portrayals in the soap operas may reinforce
stereotypes of HIV/AIDS as a 'black' and female disease. In both
soap operas analyses, only two individuals are seen with
HIV/AIDS and they were a black woman and a coloured child. In
both, they are portrayed as innocent and passive victims
(contracted HIV through rape or parent-to-child transmission).
In both TV programmes, the caregivers affected by HIV/AIDS are
all women, reinforcing the stereotype of women as nurturers and
rationalising their continued burden of care for the illness.
The analysis of community radio raised similar concerns, with
all of the PLWHA guests appearing on the shows during the
research period being black women, inadvertently reproducing the
construction of HIV/AIDS as a disease of black women.
Visual representations of people living
with HIV/AIDS
The current study was concerned to look
more closely at visual representations of HIV/AIDS and those
living with the virus in the print media. One weekly newspaper,
the Mail and Guardian, an historically progressive newspaper
(emerging during apartheid days and still acting as social
critic), was chosen for scrutiny. All visual representations
accompanying articles on HIV/AIDS were viewed over a period of 5
months, from January to August 2005. No attempt was made to
quantify the analysis, rather I was concerned to see what kinds
of representations were dominant. The study found the work of
Gillian Rose (2001) particularly helpful in guiding the
analysis, as well as more general literature on discourse
analysis (e.g. Wetherell and Potter, Parker, 1992;) which while
not necessarily focusing on visual representations, served to
provide a framework for critical deconstruction of the imagery
within the broader ideological terrain of HIV/AIDS, gender and
sexuality. Rose's methodology draws attention to the visual
effects of an image, and in particular the way visual images
serve to reproduce social difference and always 'intersect with
the social context of its viewing and the visualities its
spectators bring to their viewing' (Rose, 2001, p. 15).
A total of seven images that accompanied
articles on HIV/AIDS and a further two on sexual harassment were
selected for closer scrutiny (see attached images). It should be
added that these were also the majority of images found over
that time. A number of key effects in the images looked at were
evident and in many ways they served to reproduce the
stigmatising discourses flagged by the theoretical literature on
HIV/AIDS. These may be outlined as follows:
1)
HIV/AIDS as a black illness: All images viewed
represented black men and women. Those represented were also
predominantly of African, rather than 'coloured' background
(according to South African apartheid categories which are still
salient in today's context). While the majority of those
represented were South Africans, one image was of an Asian woman
in a 'developing' or 'third world' Asian country.
2)
HIV/AIDS as an illness of the 'poor' or 'third world':
All images arguably represented those of people living in
poverty. This is evident through clothing, and the location of
the photographs. The majority of photographs are set in public
hospital or clinic settings, where issues of over-crowding and
long queues for assistance are in evidence.
3)
HIV/AIDS as a woman's illness: As has been raised
frequently, women are disproportionally represented in the
pictures. Of the images found, only one is of a man and the vast
majority of those featuring are women. Even in the busy hospital
scenes, it is mostly women who are seated in the photograph. As
emerged in the POLICY project finding, women also emerge
strongly in the position of mothers. This is particularly
evident in the one picture which foregrounds an exposed stomach,
and succeeds in compartmentalising the subject. Her head is half
cropped, her body barely visible, constructing her pregnant
stomach, that is her baby, as the centre of the photo. She
becomes important only in so far as she is a pregnant stomach
that holds an unborn child.
4)
Medicalisation of HIV/AIDS: The dominance of a medical
discourse in the construction of HIV/AIDS has been widely
argued. The salience of the medical setting in many of the
photos (5 out of 7 are set in medical contexts) reproduces this
powerful construction of HIV/AIDS as a position of pathology,
one which needs to be treated and controlled within a medical
institutional context. Moreover, the patients in most pictures
are lying on beds, passively receiving treatment, itself
presented as a terrifying intervention and met frequently by the
contorted faces of torture victims.
5)
The construction of passive, receptive, dehumanised and
very ill victims: As already evident, the medical discourse
creates a patient that is acted upon often in invasive ways. All
of the images are turned away from the camera, their eyes shut
or looking elsewhere, usually downwards or towards the edges of
the picture. The majority of faces that are presented close up
are pictures of misery, depressed mood and hopelessness. One
close up of a woman, taken it appears in her own home,
represents a woman so thin and ill that she appears close to
death. The consistent representation of patients in queues, or
part of a group, also serves to dehumanise the person living
with HIV/AIDS and construct them as passive in their own illness
and life (waiting in a queue). A similar construction of
passivity emerges in the two images of sexual harassment. Both
images are alongside articles talking about violence against
girls and women, which also highlight vulnerability to HIV/AIDS
in the articles. What is particularly striking is the
disembodiment of both images, with the one cropping their
heads, while the other… In this way, these girls are presented
as passive, disempowered victims who have 'things done to them',
with no means to resist male power. Again the powerful image of
a line, a queue of girls, as in the images of those queuing in
the clinics, denotes an image of dehumanisation, in which the
individual is reduced to a number, a disembodied member of a
line of others.
Conclusions
Although, this is a handful of images, they
do represent the majority of visual representations found in the
Mail and Guardian over the five month period. As I did not carry
out a rigorous audit, I may have missed a couple over this time.
Sadly, the images appear to reproduce many of the problematic,
stigmatising discourses that have been identified in the
theoretical literature and as have emerged in other studies of
stigma and HIV/AIDS. In particular, HIV/AIDS emerges primarily
as an illness of black, poor women. In this way, such women are
inadvertently blamed for the illness and the virus is distanced
and 'othered' for those groups of South Africans who are not
poor, black women. Moreover, throughout the representations the
subjects are constructed as passive, disempowered recipients of
both the illness and treatment, and a very strong medicalising
discourse is evident. The overall image is one which strongly
associates HIV/AIDS with illness and death, with victimhood
rather than survival and resistance, and there is a glaring
absence of images of a positive or healthy living with the
virus.
Both the empirical and theoretical
literature on HIV/AIDS and stigma in South Africa tell us that
we have a long way to go in reconstructing HIV/AIDS as 'just
another illness' and mitigating the additional effects of such
stigma on those living with HIV/AIDS. It is disappointing that
our newspapers continue to inadvertently reproduce the
stereotypical, stigmatising constructions of the virus and those
living with it, that ultimately serve to reinforce existing
practices of racism and gender inequality. HIV/AIDS in these
images continues to be constructed as 'other' to the north and
west (African, and 'third world'), as 'other' to middle class
people (as the preserve of the poor and uneducated), as 'other'
to whites, and as 'other' to the broader group of men (but
especially middle class, western, white men. The power of the
visual, the picture that speaks, is more than evident as images
serve to reinforce, legitimise, and rationalise existing social
'truths'. The picture out there does not only reflect the
popular inner pictures, but may serve also to challenge or
reinforce the popular imaginary. The media may make a strategic
choice to reconstruct its dominant representation of HIV/AIDS,
to ensure the proliferation of 'new' and different pictures
which take us closer to a more liberating, empowering
construction of the virus and its effects. In so doing, we may
also be able to challenge other areas of stigma, marginalisation,
exclusion and inequality, the dominant and problematic
constructions of gender, women, sexuality,that the social
representation of HIV/AIDS has so powerfully intersected with.
We may argue that it is the imperative of the social scientist
and cultural theorist to foreground such issues and lend
expertise to the process of deconstructing current visual
practices in the arena of HIV/AIDS.
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